{"id":89,"date":"2025-08-12T16:38:09","date_gmt":"2025-08-12T16:38:09","guid":{"rendered":"https:\/\/suebirch.com\/?page_id=89"},"modified":"2026-07-14T16:22:25","modified_gmt":"2026-07-14T16:22:25","slug":"theatre-britain","status":"publish","type":"page","link":"https:\/\/suebirch.com\/index.php\/theatre-britain\/","title":{"rendered":"Theatre Britain"},"content":{"rendered":"\n<h2 class=\"wp-block-heading\">A Little Slice Of Britain In Texas<\/h2>\n\n\n\n<p class=\"wp-block-paragraph\">\u201cOnly one area theater has a portrait of Queen Elizabeth II hanging in the lobby &#8230;\u201d The Dallas Morning News, June 2002<\/p>\n\n\n\n<div class=\"wp-block-media-text is-stacked-on-mobile\" style=\"grid-template-columns:41% auto\"><figure class=\"wp-block-media-text__media\"><img loading=\"lazy\" decoding=\"async\" width=\"1024\" height=\"1024\" src=\"https:\/\/suebirch.com\/wp-content\/uploads\/2025\/07\/TheatreBritain_FINAL-Logo-1024x1024.jpg\" alt=\"The logo for Theatre Britain. A square logo. Theatre in blue on the left hand side from bottom to top. Britain in red across the top. Filling ouf the rest of the logo is a stylised version of happy and sad theatre masks. Sad on the left is in blue and is upside down, Happy is on the right in red right way up. They are separated by gold lines and both have white circles for eyes.\" class=\"wp-image-99 size-full\" srcset=\"https:\/\/suebirch.com\/wp-content\/uploads\/2025\/07\/TheatreBritain_FINAL-Logo-1024x1024.jpg 1024w, https:\/\/suebirch.com\/wp-content\/uploads\/2025\/07\/TheatreBritain_FINAL-Logo-300x300.jpg 300w, https:\/\/suebirch.com\/wp-content\/uploads\/2025\/07\/TheatreBritain_FINAL-Logo-150x150.jpg 150w, https:\/\/suebirch.com\/wp-content\/uploads\/2025\/07\/TheatreBritain_FINAL-Logo-768x768.jpg 768w, https:\/\/suebirch.com\/wp-content\/uploads\/2025\/07\/TheatreBritain_FINAL-Logo-1536x1536.jpg 1536w, https:\/\/suebirch.com\/wp-content\/uploads\/2025\/07\/TheatreBritain_FINAL-Logo-2048x2048.jpg 2048w\" sizes=\"auto, (max-width: 1024px) 100vw, 1024px\" \/><\/figure><div class=\"wp-block-media-text__content\">\n<p class=\"wp-block-paragraph\">It started as one of those \u201cLet\u2019s put on a show!\u201d moments, with four British women sitting around having a cup of tea and saying, \u201cThere is no panto around here, let\u2019s put one on.\u201d Six months later, we were performing at the Plaza Theatre in Carrollton and, during the week, we were touring schools.<\/p>\n<\/div><\/div>\n\n\n\n<div class=\"wp-block-columns is-layout-flex wp-container-core-columns-is-layout-794e3cfa wp-block-columns-is-layout-flex\">\n<div class=\"wp-block-column is-layout-flow wp-block-column-is-layout-flow\">\n<p class=\"has-medium-font-size wp-block-paragraph\">Barebones scenery, cheap and cheerful costumes and wigs bought from a Halloween store. Our first show, in 1996, was &#8216;The Sleeping Beauty&#8217;, followed by &#8216;Cinderella&#8217; in 1997.<\/p>\n\n\n\n<p class=\"wp-block-paragraph\">By the time we went dark at the end of 2017, we were a fixture on the North Texas theatre scene, with full seasons of high-quality productions for a wide range of ages.<\/p>\n<\/div>\n\n\n\n<div class=\"wp-block-column is-layout-flow wp-block-column-is-layout-flow\">\n<figure class=\"wp-block-image size-large\"><img loading=\"lazy\" decoding=\"async\" width=\"1024\" height=\"805\" src=\"https:\/\/suebirch.com\/wp-content\/uploads\/2025\/07\/cinders-big-1024x805.jpg\" alt=\"Two men dressed as Dames threatening Cinderella who is kneeling down in between them.\" class=\"wp-image-107\" srcset=\"https:\/\/suebirch.com\/wp-content\/uploads\/2025\/07\/cinders-big-1024x805.jpg 1024w, https:\/\/suebirch.com\/wp-content\/uploads\/2025\/07\/cinders-big-300x236.jpg 300w, https:\/\/suebirch.com\/wp-content\/uploads\/2025\/07\/cinders-big-768x604.jpg 768w, https:\/\/suebirch.com\/wp-content\/uploads\/2025\/07\/cinders-big.jpg 1303w\" sizes=\"auto, (max-width: 1024px) 100vw, 1024px\" \/><figcaption class=\"wp-element-caption\">1997 Panto. &#8216;Cinderella&#8217; by Jackie Mellor-Guin, Mark Shum as Entsheawful, Maia Peters as Cinderella, Steve Freedman as Enchilda. Photo: Julian Noel Photography. <\/figcaption><\/figure>\n\n\n\n<div style=\"height:5px\" aria-hidden=\"true\" class=\"wp-block-spacer\"><\/div>\n<\/div>\n<\/div>\n\n\n\n<p class=\"wp-block-paragraph\">We always went out of our way to be authentic. Paper props were A4 or other UK sizes. We brought in light switches, sockets, UK plugs, empty cigarette boxes (those health warnings!), comics, electrical appliances and more from the UK. Plus when you poured a cup of tea on stage, there was always steam. And, in one memorable moment, the stage manager hoovered the stage during the interval by plugging it into a UK socket!<\/p>\n\n\n\n<figure class=\"wp-block-image size-large\"><img loading=\"lazy\" decoding=\"async\" width=\"1024\" height=\"731\" src=\"https:\/\/suebirch.com\/wp-content\/uploads\/2026\/05\/0035-1024x731.jpg\" alt=\"Kevin Keating as Mother Hood, Danielle Pickard as Charlie The Chopper. 'Little Red Riding Hood' by Jackie Mellor-Guin. Photo: Mark Trew.\" class=\"wp-image-568\" srcset=\"https:\/\/suebirch.com\/wp-content\/uploads\/2026\/05\/0035-1024x731.jpg 1024w, https:\/\/suebirch.com\/wp-content\/uploads\/2026\/05\/0035-300x214.jpg 300w, https:\/\/suebirch.com\/wp-content\/uploads\/2026\/05\/0035-768x549.jpg 768w, https:\/\/suebirch.com\/wp-content\/uploads\/2026\/05\/0035-1536x1097.jpg 1536w, https:\/\/suebirch.com\/wp-content\/uploads\/2026\/05\/0035-2048x1463.jpg 2048w\" sizes=\"auto, (max-width: 1024px) 100vw, 1024px\" \/><figcaption class=\"wp-element-caption\">2008 Panto. &#8216;Little Red Riding Hood&#8217; by Jackie Mellor-Guin. Kevin Keating as Mother Hood, Danielle Pickard as Charlie The Chopper. Set Design by Darryl P Clement. Costume Design by Robin Armstrong. Photo: Mark Trew.<\/figcaption><\/figure>\n\n\n\n<figure class=\"wp-block-image size-large\"><img loading=\"lazy\" decoding=\"async\" width=\"683\" height=\"1024\" src=\"https:\/\/suebirch.com\/wp-content\/uploads\/2026\/05\/Babes-In-The-Wood-1-683x1024.jpg\" alt=\"Principal Boy and Dame in 'Babes In The Wood' by Jackie Mellor-Guin\" class=\"wp-image-758\" srcset=\"https:\/\/suebirch.com\/wp-content\/uploads\/2026\/05\/Babes-In-The-Wood-1-683x1024.jpg 683w, https:\/\/suebirch.com\/wp-content\/uploads\/2026\/05\/Babes-In-The-Wood-1-200x300.jpg 200w, https:\/\/suebirch.com\/wp-content\/uploads\/2026\/05\/Babes-In-The-Wood-1-768x1152.jpg 768w, https:\/\/suebirch.com\/wp-content\/uploads\/2026\/05\/Babes-In-The-Wood-1-1024x1536.jpg 1024w, https:\/\/suebirch.com\/wp-content\/uploads\/2026\/05\/Babes-In-The-Wood-1-1365x2048.jpg 1365w, https:\/\/suebirch.com\/wp-content\/uploads\/2026\/05\/Babes-In-The-Wood-1-scaled.jpg 1707w\" sizes=\"auto, (max-width: 683px) 100vw, 683px\" \/><figcaption class=\"wp-element-caption\">2010 panto. &#8216;Babes In The Wood&#8217; by Jackie Mellor-Guin. Marla Jo Kelly as Paige Turner, Ivan Jones as Governess Amplebottom. Set Design by Darryl P Clement. Costume Design by Tory Padden. Photo: Mark Trew.<\/figcaption><\/figure>\n\n\n\n<div style=\"height:5px\" aria-hidden=\"true\" class=\"wp-block-spacer\"><\/div>\n\n\n\n<div class=\"wp-block-columns is-layout-flex wp-container-core-columns-is-layout-794e3cfa wp-block-columns-is-layout-flex\">\n<div class=\"wp-block-column is-layout-flow wp-block-column-is-layout-flow\">\n<a class=\"gb-text gb-text-05c190f0\" href=\"https:\/\/suebirch.com\/index.php\/production-history\/\">Production History<\/a>\n<\/div>\n\n\n\n<div class=\"wp-block-column is-layout-flow wp-block-column-is-layout-flow\"><\/div>\n<\/div>\n\n\n\n<div style=\"height:5px\" aria-hidden=\"true\" class=\"wp-block-spacer\"><\/div>\n\n\n\n<p class=\"wp-block-paragraph\">From 2003 all our productions featured music by local composers. And from 2010 our production artwork was designed by a local artist. In this promo video &#8211; artwork by Gretchen Goetz, music by Aaron Fryklund.<\/p>\n\n\n<figure class=\"wp-block-embed wp-block-embed-youtube is-type-video is-provider-youtube epyt-figure\"><div class=\"wp-block-embed__wrapper\"><div class=\"epyt-video-wrapper\"><iframe loading=\"lazy\"  id=\"_ytid_40339\"  width=\"800\" height=\"450\"  data-origwidth=\"800\" data-origheight=\"450\"  data-relstop=\"1\" src=\"https:\/\/www.youtube.com\/embed\/6np6c9VD2cI?enablejsapi=1&#038;autoplay=0&#038;cc_load_policy=0&#038;iv_load_policy=1&#038;loop=0&#038;fs=1&#038;playsinline=0&#038;controls=1&#038;disablekb=0&#038;color=red&#038;cc_lang_pref=&#038;rel=0&#038;autohide=2&#038;theme=dark&#038;\" class=\"__youtube_prefs__  no-lazyload\" title=\"YouTube player\"  allow=\"fullscreen; accelerometer; autoplay; clipboard-write; encrypted-media; gyroscope; picture-in-picture; web-share\" referrerpolicy=\"strict-origin-when-cross-origin\" allowfullscreen data-no-lazy=\"1\" data-skipgform_ajax_framebjll=\"\"><\/iframe><\/div><\/div><\/figure>\n\n\n<div style=\"height:5px\" aria-hidden=\"true\" class=\"wp-block-spacer\"><\/div>\n\n\n\n<figure class=\"wp-block-image size-large\"><img loading=\"lazy\" decoding=\"async\" width=\"1024\" height=\"683\" src=\"https:\/\/suebirch.com\/wp-content\/uploads\/2026\/05\/Out-of-Order-148-1024x683.jpg\" alt=\"A man trapped in a sash window. Man and woman looking on. Woman in underwear.\" class=\"wp-image-662\" srcset=\"https:\/\/suebirch.com\/wp-content\/uploads\/2026\/05\/Out-of-Order-148-1024x683.jpg 1024w, https:\/\/suebirch.com\/wp-content\/uploads\/2026\/05\/Out-of-Order-148-300x200.jpg 300w, https:\/\/suebirch.com\/wp-content\/uploads\/2026\/05\/Out-of-Order-148-768x512.jpg 768w, https:\/\/suebirch.com\/wp-content\/uploads\/2026\/05\/Out-of-Order-148-1536x1024.jpg 1536w, https:\/\/suebirch.com\/wp-content\/uploads\/2026\/05\/Out-of-Order-148-2048x1365.jpg 2048w\" sizes=\"auto, (max-width: 1024px) 100vw, 1024px\" \/><figcaption class=\"wp-element-caption\">2014. &#8216;Out Of Order&#8217; by Ray Cooney. With Janelle Lutz, Ivan Jones, Bryan Brooks. Set Design by Darryl P Clement. Costume Design by Shanna Gobin. Photo: Mark Trew. <\/figcaption><\/figure>\n\n\n\n<p class=\"wp-block-paragraph\">\u201cWhen you\u2019re in a foreign country looking for a bite to eat, a caf\u00e9 with a crowd is a good bet. They probably know something. It works for theatre, too.&nbsp;Theatre Britain\u2019s production of Ray Cooney\u2019s&nbsp;&#8216;Out of Order&#8217; may not be in a foreign country, but there is certainly a crowd. And what the crowd there knows is that it\u2019s a great place for farce.&#8221; David Novinski, Theater Jones.<\/p>\n\n\n\n<figure class=\"wp-block-image size-large\"><img loading=\"lazy\" decoding=\"async\" width=\"1024\" height=\"683\" src=\"https:\/\/suebirch.com\/wp-content\/uploads\/2026\/05\/Dangerous-Obsession-1024x683.jpg\" alt=\"In a conservatory. Man sitting on chair with woman looking on. A man looking through the window at them.\" class=\"wp-image-663\" srcset=\"https:\/\/suebirch.com\/wp-content\/uploads\/2026\/05\/Dangerous-Obsession-1024x683.jpg 1024w, https:\/\/suebirch.com\/wp-content\/uploads\/2026\/05\/Dangerous-Obsession-300x200.jpg 300w, https:\/\/suebirch.com\/wp-content\/uploads\/2026\/05\/Dangerous-Obsession-768x512.jpg 768w, https:\/\/suebirch.com\/wp-content\/uploads\/2026\/05\/Dangerous-Obsession-1536x1024.jpg 1536w, https:\/\/suebirch.com\/wp-content\/uploads\/2026\/05\/Dangerous-Obsession-2048x1365.jpg 2048w\" sizes=\"auto, (max-width: 1024px) 100vw, 1024px\" \/><figcaption class=\"wp-element-caption\">2016. &#8216;Dangerous Obsession&#8217; by N J Crisp. With Robert San Juan, Stacy Ann Strang, Walt Threlkeld. Set Design by Darryl P Clement. Costume Design by Shanna Gobin. Photo: Mark Trew.<\/figcaption><\/figure>\n\n\n\n<p class=\"wp-block-paragraph\">\u201cWhether you\u2019re a Brit abroad like me or just love good theatre, go see &#8216;Dangerous Obsession&#8217; and I guarantee you\u2019ll add the rest of the years\u2019 shows to your diary without hesitation\u2014I already did!\u201d Rebecca Silvestri, Plano Profile.<\/p>\n\n\n\n<figure class=\"wp-block-image size-large\"><img loading=\"lazy\" decoding=\"async\" width=\"1024\" height=\"683\" src=\"https:\/\/suebirch.com\/wp-content\/uploads\/2026\/05\/Theatre-Britain-Let-It-Be-Me-by-Carey-Jane-Hardy-The-Cast-Photo-Michael-C-Foster-1024x683.jpg\" alt=\"The cast of 'Let It Be Me' by Carey Jane Hardy\" class=\"wp-image-769\" srcset=\"https:\/\/suebirch.com\/wp-content\/uploads\/2026\/05\/Theatre-Britain-Let-It-Be-Me-by-Carey-Jane-Hardy-The-Cast-Photo-Michael-C-Foster-1024x683.jpg 1024w, https:\/\/suebirch.com\/wp-content\/uploads\/2026\/05\/Theatre-Britain-Let-It-Be-Me-by-Carey-Jane-Hardy-The-Cast-Photo-Michael-C-Foster-300x200.jpg 300w, https:\/\/suebirch.com\/wp-content\/uploads\/2026\/05\/Theatre-Britain-Let-It-Be-Me-by-Carey-Jane-Hardy-The-Cast-Photo-Michael-C-Foster-768x512.jpg 768w, https:\/\/suebirch.com\/wp-content\/uploads\/2026\/05\/Theatre-Britain-Let-It-Be-Me-by-Carey-Jane-Hardy-The-Cast-Photo-Michael-C-Foster-1536x1025.jpg 1536w, https:\/\/suebirch.com\/wp-content\/uploads\/2026\/05\/Theatre-Britain-Let-It-Be-Me-by-Carey-Jane-Hardy-The-Cast-Photo-Michael-C-Foster-2048x1367.jpg 2048w\" sizes=\"auto, (max-width: 1024px) 100vw, 1024px\" \/><figcaption class=\"wp-element-caption\">2017. &#8216;Let It Be Me&#8217; by Carey Jane Hardy. Set Design by Anthonyka Ferdinand. Costume Design by Shanna Gobin. Photo: Michael C Foster. <\/figcaption><\/figure>\n\n\n\n<p class=\"wp-block-paragraph\">\u201cTheatre Britain\u2019s choice of &#8216;Let It Be Me&#8217; for their last season is a timely and perceptive gift of love to their audience.\u201d Janice L Franklin, TheaterJones<\/p>\n\n\n\n<div style=\"height:5px\" aria-hidden=\"true\" class=\"wp-block-spacer\"><\/div>\n\n\n\n<div class=\"wp-block-columns is-layout-flex wp-container-core-columns-is-layout-794e3cfa wp-block-columns-is-layout-flex\">\n<div class=\"wp-block-column is-layout-flow wp-block-column-is-layout-flow\">\n<a class=\"gb-text gb-text-48839616\" href=\"https:\/\/youtu.be\/KJNOH-mRI_o\">Farewell Party Retrospective<\/a>\n<\/div>\n\n\n\n<div class=\"wp-block-column is-layout-flow wp-block-column-is-layout-flow\">\n<a class=\"gb-text gb-text-419b7681\" href=\"https:\/\/www.americantheatre.org\/2015\/06\/30\/know-a-theatre-theatre-britain-of-plano-texas\/\">&#8216;American Theatre&#8217; Profile<\/a>\n<\/div>\n<\/div>\n\n\n\n<div style=\"height:5px\" aria-hidden=\"true\" class=\"wp-block-spacer\"><\/div>\n\n\n\n<hr class=\"wp-block-separator has-alpha-channel-opacity\"\/>\n\n\n\n<h2 class=\"wp-block-heading\">The Last Show<\/h2>\n\n\n\n<figure class=\"wp-block-image size-large\"><img loading=\"lazy\" decoding=\"async\" width=\"1024\" height=\"683\" src=\"https:\/\/suebirch.com\/wp-content\/uploads\/2026\/05\/0MF_7649_DxO-1024x683.jpg\" alt=\"Porthos, Athos &amp; Aramis\" class=\"wp-image-541\" srcset=\"https:\/\/suebirch.com\/wp-content\/uploads\/2026\/05\/0MF_7649_DxO-1024x683.jpg 1024w, https:\/\/suebirch.com\/wp-content\/uploads\/2026\/05\/0MF_7649_DxO-300x200.jpg 300w, https:\/\/suebirch.com\/wp-content\/uploads\/2026\/05\/0MF_7649_DxO-768x513.jpg 768w, https:\/\/suebirch.com\/wp-content\/uploads\/2026\/05\/0MF_7649_DxO-1536x1025.jpg 1536w\" sizes=\"auto, (max-width: 1024px) 100vw, 1024px\" \/><figcaption class=\"wp-element-caption\">Bryan Brooks as Porthos, Michael Speck as Athos, Christopher Lew as Aramis. Set Design by Darryl P Clement. Costume Design by Tory Padden. Photo: Michael C Foster.<\/figcaption><\/figure>\n\n\n\n<div style=\"height:5px\" aria-hidden=\"true\" class=\"wp-block-spacer\"><\/div>\n\n\n\n<div class=\"wp-block-columns is-layout-flex wp-container-core-columns-is-layout-794e3cfa wp-block-columns-is-layout-flex\">\n<div class=\"wp-block-column is-layout-flow wp-block-column-is-layout-flow\">\n<h3 class=\"wp-block-heading\"><strong>There\u2019s nothing like a dame<\/strong><\/h3>\n\n\n\n<p class=\"has-medium-font-size wp-block-paragraph\">Dallas Voice. Dec 1, 2017.<\/p>\n\n\n\n<h4 class=\"wp-block-heading\"><strong>Ivan Jones flirts like the Dickens in the final Christmas panto from Theatre Britain<\/strong><\/h4>\n\n\n\n<p class=\"wp-block-paragraph\">Mark Twain defined a \u201cclassic\u201d of literature as something everyone talked about but nobody read. The performing arts have a similar category: The \u201choliday tradition.\u201d It\u2019s a tradition that ballet companies do&nbsp;<em>The Nutcracker&nbsp;<\/em>(Texas Ballet Theater is doing it right now, as is MBS Productions its parody version); choral groups sing \u201cSilent Night\u201d and \u201cThe Hallelujah Chorus;\u201d orchestras perform pops concerts of \u201cRudolph\u201d and \u201cSilver Bells;\u201d theaters trot out versions of<em>&nbsp;A Christmas Carol&nbsp;<\/em>each year; and in England, the panto is a revered celebration of the holidays.<\/p>\n\n\n\n<p class=\"wp-block-paragraph\">Here in North Texas, Theatre Britain has long shared its affection for the panto with American audiences. It\u2019s an interesting confection, the panto (short for \u201cpantomime,\u201d though I\u2019m not sure why). <\/p>\n\n\n\n<p class=\"wp-block-paragraph\">The form is as full of tropes as the ocean is fish: There\u2019s a dame \u2014 a female character played by a man in drag; a boy hero \u2014 played by a woman (Peter Pan is a famous variation); there are ghosts, puppets, audience participation, sing-alongs, hissable villains and&nbsp;<em>tons&nbsp;<\/em>of sexual double entendres \u2026 yet all aimed above the heads of the kiddos, who make it a family favorite.<\/p>\n<\/div>\n\n\n\n<div class=\"wp-block-column is-layout-flow wp-block-column-is-layout-flow\">\n<figure class=\"wp-block-image size-large\"><img loading=\"lazy\" decoding=\"async\" width=\"683\" height=\"1024\" src=\"https:\/\/suebirch.com\/wp-content\/uploads\/2026\/05\/0MF_7343_DxO-683x1024.jpg\" alt=\"Ivan Jones as Planchet, the Dame, in 'The Three Musketeers'.\" class=\"wp-image-539\" srcset=\"https:\/\/suebirch.com\/wp-content\/uploads\/2026\/05\/0MF_7343_DxO-683x1024.jpg 683w, https:\/\/suebirch.com\/wp-content\/uploads\/2026\/05\/0MF_7343_DxO-200x300.jpg 200w, https:\/\/suebirch.com\/wp-content\/uploads\/2026\/05\/0MF_7343_DxO-768x1151.jpg 768w, https:\/\/suebirch.com\/wp-content\/uploads\/2026\/05\/0MF_7343_DxO-1025x1536.jpg 1025w, https:\/\/suebirch.com\/wp-content\/uploads\/2026\/05\/0MF_7343_DxO-1367x2048.jpg 1367w, https:\/\/suebirch.com\/wp-content\/uploads\/2026\/05\/0MF_7343_DxO-scaled.jpg 1708w\" sizes=\"auto, (max-width: 683px) 100vw, 683px\" \/><figcaption class=\"wp-element-caption\">Ivan Jones as the Dame in the &#8216;The Three Musketeers&#8217;. Photo: Michael C Foster.<\/figcaption><\/figure>\n\n\n\n<figure class=\"wp-block-image size-large\"><img loading=\"lazy\" decoding=\"async\" width=\"673\" height=\"1024\" src=\"https:\/\/suebirch.com\/wp-content\/uploads\/2026\/05\/Theatre-Britain-The-Three-Musketeers-by-Jackie-Mellor-Guin-Artwork-673x1024.jpg\" alt=\"Poster advertising 'The Three Musketeers'. Artwork by Gretchen Goetz\" class=\"wp-image-672\" srcset=\"https:\/\/suebirch.com\/wp-content\/uploads\/2026\/05\/Theatre-Britain-The-Three-Musketeers-by-Jackie-Mellor-Guin-Artwork-673x1024.jpg 673w, https:\/\/suebirch.com\/wp-content\/uploads\/2026\/05\/Theatre-Britain-The-Three-Musketeers-by-Jackie-Mellor-Guin-Artwork-197x300.jpg 197w, https:\/\/suebirch.com\/wp-content\/uploads\/2026\/05\/Theatre-Britain-The-Three-Musketeers-by-Jackie-Mellor-Guin-Artwork-768x1169.jpg 768w, https:\/\/suebirch.com\/wp-content\/uploads\/2026\/05\/Theatre-Britain-The-Three-Musketeers-by-Jackie-Mellor-Guin-Artwork-1009x1536.jpg 1009w, https:\/\/suebirch.com\/wp-content\/uploads\/2026\/05\/Theatre-Britain-The-Three-Musketeers-by-Jackie-Mellor-Guin-Artwork-1346x2048.jpg 1346w, https:\/\/suebirch.com\/wp-content\/uploads\/2026\/05\/Theatre-Britain-The-Three-Musketeers-by-Jackie-Mellor-Guin-Artwork-scaled.jpg 1682w\" sizes=\"auto, (max-width: 673px) 100vw, 673px\" \/><figcaption class=\"wp-element-caption\">Production artwork by Gretchen Goetz. Gretchen is a multimedia artist, writer and illustrator. She has won two Emmy Awards for set decoration on the PBS children&#8217;s program &#8216;Wishbone&#8217;.<\/figcaption><\/figure>\n<\/div>\n<\/div>\n\n\n\n<p class=\"has-medium-font-size wp-block-paragraph\">I had never experienced a panto until attending my first from Theatre Britain about 15 years ago, but I have rarely missed one in the interim. They are silly trifles, often attended by as many kids as adults, but the campiness has always been a draw. Some (all written by Jackie Mellor-Guin and directed by Sue Birch) have been better than others, sometimes my mood has been more receptive \u2026 but the panto has long been one of my Christmas traditions.<\/p>\n\n\n\n<p class=\"has-medium-font-size wp-block-paragraph\">Only this was the last one. Theatre Britain is packing up shop, as Birch and her husband Ian return to their native England next spring. Our source of panto will dry up, locally at least.<\/p>\n\n\n\n<p class=\"has-medium-font-size wp-block-paragraph\">Perhaps that\u2019s what made me enjoy this farewell production of&nbsp;<strong><em>The Three Musketeers&nbsp;<\/em><\/strong>all the more, but I think it\u2019s just because it\u2019s a good show. Ivan Jones is back as the dame, this time as Planchet, the flirtatious assistant to D\u2019Artagnan (Shay McDonald), who hopes to join the French king\u2019s elite guard. But Cardinal Richelieu (a sneering Brandon Whitlock) has other plans, and is trying to bring down the monarchy and install himself as supreme leader. He\u2019s defeated, of course, and everyone else walks away smiling.<\/p>\n\n\n\n<figure class=\"wp-block-image size-large\"><img loading=\"lazy\" decoding=\"async\" width=\"1024\" height=\"683\" src=\"https:\/\/suebirch.com\/wp-content\/uploads\/2026\/05\/0MF_7562_DxO-1024x683.jpg\" alt=\"Athos &amp; D'Artagnan swordfighting.\" class=\"wp-image-540\" srcset=\"https:\/\/suebirch.com\/wp-content\/uploads\/2026\/05\/0MF_7562_DxO-1024x683.jpg 1024w, https:\/\/suebirch.com\/wp-content\/uploads\/2026\/05\/0MF_7562_DxO-300x200.jpg 300w, https:\/\/suebirch.com\/wp-content\/uploads\/2026\/05\/0MF_7562_DxO-768x513.jpg 768w, https:\/\/suebirch.com\/wp-content\/uploads\/2026\/05\/0MF_7562_DxO-1536x1025.jpg 1536w, https:\/\/suebirch.com\/wp-content\/uploads\/2026\/05\/0MF_7562_DxO-2048x1367.jpg 2048w\" sizes=\"auto, (max-width: 1024px) 100vw, 1024px\" \/><figcaption class=\"wp-element-caption\">Michael Speck as Athos, Shay McDonald as D\u2019Artagnan. Photo: Michael C Foster.<\/figcaption><\/figure>\n\n\n\n<p class=\"has-medium-font-size wp-block-paragraph\">The plot is perfunctory, but the style has the intense energy of a circus clown. Planchet picks on one man in the audience (in the case of the opening performance,&nbsp;<em>me<\/em>) to flirt with, smile and coo at, bedecked in a garish costume, standing 6-foot-something in heels, playing the fool (or really, the jester) and filling the air with countless jokes about riding a donkey (\u201cCan someone please attend my ass!?\u201d) that make the kids giggle and the adults blanch.<\/p>\n\n\n\n<figure class=\"wp-block-image size-large\"><img loading=\"lazy\" decoding=\"async\" width=\"1024\" height=\"683\" src=\"https:\/\/suebirch.com\/wp-content\/uploads\/2026\/05\/3M-1024x683.jpg\" alt=\"'The Three Musketeers' - cast members laughing and pointing during a scene.\" class=\"wp-image-546\" srcset=\"https:\/\/suebirch.com\/wp-content\/uploads\/2026\/05\/3M-1024x683.jpg 1024w, https:\/\/suebirch.com\/wp-content\/uploads\/2026\/05\/3M-300x200.jpg 300w, https:\/\/suebirch.com\/wp-content\/uploads\/2026\/05\/3M-768x513.jpg 768w, https:\/\/suebirch.com\/wp-content\/uploads\/2026\/05\/3M-1536x1025.jpg 1536w, https:\/\/suebirch.com\/wp-content\/uploads\/2026\/05\/3M-2048x1367.jpg 2048w\" sizes=\"auto, (max-width: 1024px) 100vw, 1024px\" \/><figcaption class=\"wp-element-caption\">Photo: Michael C Foster.<\/figcaption><\/figure>\n\n\n\n<p class=\"has-medium-font-size wp-block-paragraph\">If you\u2019ve seen a panto before, you know what I\u2019m talking about; if you haven\u2019t, this may be your last shot.<\/p>\n\n\n\n<p class=\"has-medium-font-size wp-block-paragraph\">I\u2019ll miss Theatre Britain\u2019s presence on the local theater scene, and the panto in particular, in no small part because Birch always created diverse casts \u2026 and not just in the cross-dressing aspect. Tall and short, Asian, Anglo and African-American, slight and zaftig, youthful and, ahem, \u201cexperienced\u201d all share the stage together. You feel the sense of community, the affection. Classics don\u2019t get read, and traditions fall away \u2026 but they will be missed.<\/p>\n\n\n\n<p class=\"has-medium-font-size wp-block-paragraph\">\u2014 Arnold Wayne Jones<\/p>\n\n\n\n<div style=\"height:5px\" aria-hidden=\"true\" class=\"wp-block-spacer\"><\/div>\n\n\n\n<hr class=\"wp-block-separator has-alpha-channel-opacity\"\/>\n","protected":false},"excerpt":{"rendered":"<p>A Little Slice Of Britain In Texas \u201cOnly one area theater has a portrait of Queen Elizabeth II hanging in the lobby &#8230;\u201d The Dallas Morning News, June 2002 It started as one of those \u201cLet\u2019s put on a show!\u201d moments, with four British women sitting around having a cup of tea and saying, \u201cThere [&hellip;]<\/p>\n","protected":false},"author":1,"featured_media":0,"parent":0,"menu_order":0,"comment_status":"closed","ping_status":"closed","template":"","meta":{"footnotes":""},"class_list":["post-89","page","type-page","status-publish","hentry"],"_links":{"self":[{"href":"https:\/\/suebirch.com\/index.php\/wp-json\/wp\/v2\/pages\/89","targetHints":{"allow":["GET"]}}],"collection":[{"href":"https:\/\/suebirch.com\/index.php\/wp-json\/wp\/v2\/pages"}],"about":[{"href":"https:\/\/suebirch.com\/index.php\/wp-json\/wp\/v2\/types\/page"}],"author":[{"embeddable":true,"href":"https:\/\/suebirch.com\/index.php\/wp-json\/wp\/v2\/users\/1"}],"replies":[{"embeddable":true,"href":"https:\/\/suebirch.com\/index.php\/wp-json\/wp\/v2\/comments?post=89"}],"version-history":[{"count":120,"href":"https:\/\/suebirch.com\/index.php\/wp-json\/wp\/v2\/pages\/89\/revisions"}],"predecessor-version":[{"id":907,"href":"https:\/\/suebirch.com\/index.php\/wp-json\/wp\/v2\/pages\/89\/revisions\/907"}],"wp:attachment":[{"href":"https:\/\/suebirch.com\/index.php\/wp-json\/wp\/v2\/media?parent=89"}],"curies":[{"name":"wp","href":"https:\/\/api.w.org\/{rel}","templated":true}]}}